![]() We don’t need any curators and project developers.” Claus Peymann, artistic director of the Berliner Ensemble and enfant terrible of the German stage, said earlier this month: “Chris Dercon is great for the Tate gallery, completely wrong for the Volksbühne. The appointment of someone at the top of his field in visual arts, rather than theatre, will not be universally welcomed. Asked by the Guardian earlier this month whether he was heading to Berlin, Dercon said he was “flattered. News of Dercon’s departure broke in Germany on Thursday night before an official announcement but rumours had been flying for weeks. The Tanks will give Tate Modern far more space to stage live and performance art, a regular feature at the gallery which, ironically, may have attracted the Volksbühne in the first place. Dercon, meanwhile, is not taking over at the Volksbühne until 2017 and will continue overseeing the Tanks extension, due to open in 2016. But the exhibition programme was bitterly criticised by some, with the Sunday Times critic Waldemar Januszczak calling her a “disaster” and someone who “has to go”.Ĭurtis will leave Tate Britain in the summer after co-curating a major Barbara Hepworth exhibition opening in June. She oversaw a successful rehang of the entire collection and a £45m redevelopment that helped secure a nomination for the Art Fund museum of the year prize in 2014. ![]() Her five-year-tenure has been far more turbulent, far less fun, perhaps, than the four years Dercon has been at Tate Modern. The circumstances are different in the case of Curtis. The fact that he is staying at Tate Modern until 2017 and curating a major exhibition for that year suggests the departure is amicable.
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